Shipyard

article | Reading time5 min

The restoration of the Villa Cavrois

From 1932 to the present day, the Villa Cavrois has lived a thousand and one lives. Discover the periods that have had a lasting impact on its history and led to successive restorations!

A dark period

Turned into a barracks for German soldiers in the 1940s, then divided into three flats by architect Pierre Barbe from the 1950s onwards, the Villa Cavrois has undergone transformations over time that have somewhat altered or modified the original state designed by Robert Mallet-Stevens.

The decade of neglect, between 1987 and 2001, continued to profoundly affect the villa, which rapidly fell into disrepair. Squatted, it was vandalised and its precious materials, for the most part, looted: marble was ripped out, campfires burned on the ground, electrical conduits rusted and masonry splintered. Trees are even growing in the Great Staircase!

La chambre de Michel

© Droits réservés - collection DRAC Hauts-de-France

A construction site lasting more than 12 years

In 2001, following its classification as a Historic Monument, the State bought the villa and rescued it from this persistent state of disrepair. Backed by historical research, and made possible by the expertise of highly skilled craftsmen, a major restoration campaign began. The aim of this large-scale project, unique for a 20th building, was to restore the villa to its original state in 1932.

Le hall salon, 2008

© Jean-Luc Paillé / Centre des monuments nationaux

The first phase of work focused on the exterior of the building and the grounds. In order to halt the deterioration of the building and protect it from the elements, the building was rendered watertight, thanks to some rather spectacular scaffolding. All the elements that made up the building's external envelope were restored to their original splendour. Damaged bricks were replaced, and the exterior doors and windows restored.

In the park, which had become a meadow, test pits have revealed the paths and the bottom of the water mirror, which had disappeared during the German occupation. On the other hand, the landscape designers removed the species that had been planted successively and reinstated those that had disappeared, so as to bring back to the fore the trees originally planted, which are still present on the site.

Le miroir d'eau, 2008

© Jean-Luc Paillé / Centre des monuments nationaux

In search of lost scenery

Inside the building, the work is meticulously searching for the original state in which the building was delivered, and trying to erase all traces of the changes that were made after the original project was completed. The architects relied on the few sources available to them : black and white photographs taken from a scientific article published in the magazine

L'Architecture d'Aujourd'hui magazine, the on-site survey drawn up by Pierre Barbe, an architect who worked on the villa in the 1950s, and finally archaeological research obtained in situ by studying the materials and traces of the walls.

Villa Cavrois, maison du gardien, recherche de peintures anciennes

© Jean-Luc Paillé / Centre des monuments nationaux

By analysing the period features still on site - light switches, wall lights and radiator covers, among others - we were able to confirm and imitate the composition of the materials and the techniques used when the building was constructed.

For example, the Noël parquet floor, made from different types of wood and fixed with magnesian cement - the know-how of which only the Belgian company Jadoul is the repository - was restored, enabling them to rediscover the expertise lost over the generations.

Similarly, the marbles, most of which had been stolen or destroyed during the period of neglect, were able to be reinstalled using the same quarries as the original ones, such as the yellow Sienna marble in the fireplace area of the living room and the green Swedish marble in the parents' dining room.

Villa Cavrois, rez-de-chaussée, hall salon, coin cheminée, détail de l'escalier menant à la cheminée

© Jean-Luc Paillé / Centre des monuments nationaux

Mediation & transmission

It's hard to imagine the scale of the work involved, when the finished restoration presents a villa in the most perfect setting. Today, the boys' bedroom is a witness room: left in its state of disrepair, it bears witness to the villa's tumultuous past and allows visitors to understand the interest and recognise the work of the various trades that succeeded one another in restoring the monument.

Villa Cavrois, premier étage, chambre des garçons non restaurée

© Colombe Clier / Centre des monuments nationaux

With the same objective in mind, a material library was created from samples collected throughout the project. Showcasing the richness and diversity of the materials used, the mathériauthèque, housed in the basement wine cellar, completes the tour by showcasing the original materials and those designed identically during the restoration.

Villa Cavrois, sous-sol, matériauthèque, ancienne cave à vins

© Jean-Luc Paillé / Centre des monuments nationaux